Welcome to wenser's special column in web3. Welcome to Wenser's Web3 column.
As a representative NFT project in the Chinese-speaking region, Little Ghost has become more outstanding in its continuous development. And as the "man behind Little Ghost" - founder Sleepy has always been low-key and introverted, with a sense of mystery. So today, we are pleased to have Sleepy, the founder of Little Ghost, to discuss his practices, understanding, and future views on Little Ghost, NFT, and the Web3 field! Without further ado, enjoy it~
Interviewer: @wenser2010
Interviewee: @Sleepy0x13
Interview with Sleepy, Founder of Little Ghost: I'm Just a Simple Idealist. (Part I)
Interview with Sleepy, Founder of Little Ghost: I'm Just a Simple Idealist. (Part II)
Wenser: Based on the current market popularity, development trends, and relatively low barriers (whether it's free mint NFTs or low-cost NFTs, newcomers can directly purchase them), many people refer to NFT as the so-called "Web3 Newcomer's First Stop." Do you think NFT will continue to play this role?#
Sleepy: I think NFT will continue to play the role of "the first stop for newcomers." Because when you ask me to get involved in Web 3, if you ask me to look at some nice pictures first or directly face a string of code or financial terms, I would definitely choose pictures.
Wenser: More intuitive?
Sleepy: Yes, and more accessible! Everyone has their own aesthetic preferences, but not everyone understands technology and finance.
Wenser: I see, that's a classic statement.
Sleepy: Yes, I think people are not very optimistic about the PFP track right now, maybe because the things these projects are doing have limited imagination, and sometimes the hype they generate in the short term ends up wasting their potential.
Wenser: FOMO.
Sleepy: Yes, it's a bit regrettable.
Wenser: It seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a bit mismatched. But indeed, it seems that people haven't made much progress and are still focused on existing assets.
Sleepy: Yes, including IP creation or artist incubation, it's rare for someone to start by selling IP blind boxes. You need to have a value support first before doing these commercial things for the masses. Yes, I don't really agree with the idea that 10,000 PFP avatars are purely fine art. It may have a feeling similar to fine art. Compared to the familiar real world, it's like printed posters. Artists like KAWS and Takashi Murakami have many printed posters that are framed and sold, and there are artist collaboration blind boxes like Bape and Medicom Toy. They are more consumer-oriented and don't have strong artistic value. So now, since you have released a set of these things, how should you use the money you earn? You definitely can't continue to walk forward with the attitude of "I am a high-cold artist," as that is not what a high-cold artist should do.
Wenser: Listening to you, it feels a